Call for submissions – CBA vol 65: THE BOX

Call for submissions for:
CBA vol 65: THE BOX
Main editor: Mattias Elftorp
Deadline: July 10

What’s in The Box? Who wants to know? How big is it? Where is it? Is it on its way somewhere? Why does it matter? Why can’t you know what’s in it? Or do you know?

Fill this issue of CBA with stories of The Box, as if the issue was a box needing to be filled. And don’t forget to think outside the box!

Also don’t miss our other current call for submissions: CBA vol 64: Kolaż

—SUBMISSION GUIDELINES—
Please read and follow these guidelines:
Number of pages: We prefer comics that are about 5-30 pages, but any number is welcome.
Format: 20 x 26 cm
Color: Color / Black and white
Language: English
File format: .TIF
Resolution: 1200 dpi line art or 300 dpi CMYK
Length (texts): A good size for a text is ca 7500 characters (including spaces), but it can also be longer or shorter.
Bleed: 5mm. Think you know how to handle bleed? Read this to make sure you know what we mean.
Within this space, there are no limits.

Delivery: We prefer download links that do NOT require us to login anywhere (wetransfer usually works fine, for example).
Request: Please don’t use Comic Sans. We don’t like it and will ask you to change to another font.
And again; Please check our guidelines for bleed.
Please send us high-resolution files from the start.
Include a short bio*, with one URL (if you have a website or similar).

Please ask us if you are unsure about formats, resolution, bleed, etc. We prefer stupid questions to bad files. And there are no stupid questions!
Normally, we also organize a release exhibition showcasing sample pages from the new issue. Please let us know if you’re NOT ok with us using your works for that purpose. It’s part of our marketing and it usually takes place in a physical exhibition space, although these days we’re more likely to make a digital exhibition online at the Hybriden website.

*Your bio should be approximately 500-700 characters in length. It should read more as an entertaining and informative bio and less as a CV. What you want to say about yourself is up to you, but it’s generally more interesting for our readers to know about your interests, who you are and what else you’ve published rather than where you’ve studied. We may edit it if needed to fit our format.
Send comics, questions, etc to: submissions(a)cbkcomics(.)com

Unfortunately we cannot guarantee you any payment for participating (although these last few years we’ve had more financing so we have been able to pay at least something, i.e. when all the expenses have been paid we will share the surplus of the financial support we receive for CBA amongst the participants). If we publish your submission you will receive 10 free copies of the issue. That’s all we can promise at this date. Hopefully you will find being in CBA an enjoyable experience. Naturally, copyright for your material will stay in your hands.

Also note that we are constantly overworked and there’s a great risk that we won’t get in touch in case your submission doesn’t make it into the current volume (we WILL, however, let you know if we do publish your submission, and if you don’t get into this one we might keep your comic for a future issue). We are sorry for this and will try to catch up as soon as things clear up (optimistically in 2026)…

Feel free to share this call for submissions and/or the Facebook event to any comics creator you think would be interested!

Call for submissions – CBA vol 64: Kolaż

Call for submissions for:
CBA vol 64: Kolaż
Main editor: Kinga Dukaj
Deadline: May 12 Edit: May 31

Kolaż (Polish for collage) is an art where you weave existing images into new narratives. Dive deep into various techniques and tech. We want your unlimited comic fusions!

***Disclaimer***
Copyrighted material:
Be mindful of the images you use to create your collage. In general, using copyrighted images in your collage without permission could potentially constitute copyright infringement.e
AI:
If you use AI art it has to be clearly stated that it is AI, what AI platform it is made at and what words and/or base images you used to create the comic. We want to discourage the use of AI and you will not receive any payment for AI- images.
***

Explore the art of collage with us in blends of found images with drawings and digital manipulations, dissections and reassemblies, insertions and rearrangements. Share your stories, your subversions and discoveries of meaning through combinations and reinterpretations. Create new comics or cut up your old ones, make new life out of previous stories.

Be inspired by pioneers like Mary Shelley’s Victor F, Hannah Höch, Romare Bearden, Dave McKean and many more, whose unique approaches reshape artistic boundaries.

Join us to celebrate this remarkable art form in CBA vol 64: Kolaż (polish for Collage) where innovation and imagination breathe life into fragments, woven through the magic of artistic amalgamation.

Is collage your passion and you want to write an article about it? Great! A good size for a text is ca 7500 characters (including spaces), but it can also be longer or shorter.

Also don’t miss our other current call for submissions: CBA vol 65: THE BOX


—SUBMISSION GUIDELINES—
Please read and follow these guidelines:
Number of pages: We prefer comics that are about 5-30 pages, but any number is welcome.
Format: 20 x 26 cm
Color: Color / Black and white
Language: English
File format: .TIF
Resolution: 1200 dpi line art or 300 dpi CMYK
Length (texts): A good size for a text is ca 7500 characters (including spaces), but it can also be longer or shorter.
Bleed: 5mm. Think you know how to handle bleed? Read this to make sure you know what we mean.
Within this space, there are no limits.

Delivery: We prefer download links that do NOT require us to login anywhere (wetransfer usually works fine, for example).
Request: Please don’t use Comic Sans. We don’t like it and will ask you to change to another font.
And again; Please check our guidelines for bleed.
Please send us high-resolution files from the start.
Include a short bio*, with one URL (if you have a website or similar).

Please ask us if you are unsure about formats, resolution, bleed, etc. We prefer stupid questions to bad files. And there are no stupid questions!
Normally, we also organize a release exhibition showcasing sample pages from the new issue. Please let us know if you’re NOT ok with us using your works for that purpose. It’s part of our marketing and it usually takes place in a physical exhibition space, although these days we’re more likely to make a digital exhibition online at the Hybriden website.

*Your bio should be approximately 500-700 characters in length. It should read more as an entertaining and informative bio and less as a CV. What you want to say about yourself is up to you, but it’s generally more interesting for our readers to know about your interests, who you are and what else you’ve published rather than where you’ve studied. We may edit it if needed to fit our format.
Send comics, questions, etc to: submissions(a)cbkcomics(.)com

Unfortunately we cannot guarantee you any payment for participating (although these last few years we’ve had more financing so we have been able to pay at least something, i.e. when all the expenses have been paid we will share the surplus of the financial support we receive for CBA amongst the participants). If we publish your submission you will receive 10 free copies of the issue. That’s all we can promise at this date. Hopefully you will find being in CBA an enjoyable experience. Naturally, copyright for your material will stay in your hands.

Also note that we are constantly overworked and there’s a great risk that we won’t get in touch in case your submission doesn’t make it into the current volume (we WILL, however, let you know if we do publish your submission, and if you don’t get into this one we might keep your comic for a future issue). We are sorry for this and will try to catch up as soon as things clear up (optimistically in 2025)…

Feel free to share this call for submissions and/or the Facebook event to any comics creator you think would be interested!

Available now: CBA vol 61

CBA vol 61: Fingers & Teeth is out!

Few non-genital body parts are the object of nightmares and obsessions as much as fingers and teeth. Focusing on single body parts might seem hard when telling a story, or evoking feelings in art, but not regarding fingers and teeth. We all have some story connected to them. The human touch and the animal bite, desirable or dangerous. In this issue, we zoom in on the most bodily representations of anxiety and vulnerability.

Comics by: Jean-Jaques Tachdjian [FR], Patrick McEvoy [US] & Andrea Montano [US], Aiden Kvarström [SE], Tom Mortimer [UK], Mattias Elftorp [SE], Leviathan [SE], Damir Stonjić von Ktonsky [HR], Korin(a) Hunjak [HR], Susanne Johansson [SE].
Cover, text & main editor: Caroline Ulvros [SE].

92 pages of international comics!

Get it from the Hybriden webshop!

This is also a good time to start a subscription.

Seriefest 2023!

This weekend (Sep 2-3) it’s Seriefest in Malmö (in Ridhuset, Folkts Park).

We’ll be there with a selection of books, along with Tusen Serier/Wormgod/Hybriden (the policy is to only sell things made by creators who is present. Luckily, Mattias Elftorp will be there and he’s been involved in lots of books)…

There will also be 2 Hybriden-related items in the program:

Tusen Serier: Jorge Varas Varilla
(Saturday 1630-1650)
Jorge Varas Varilla from Tusen Serier talks about his career as a satire illustrator and how graphic humor was used as a tool for wishing for social change in the 1960s Chile. He tells about Allende’s government, about the military coup and also about his own arrest and exile.
www.varilla.se

CBK/Wormgod: Mattias Elftorp
(Sunday 1300-1320)
Talk with Mattias Elftorp about the international comics anthology CBA and about the cyberpunk postapocalypse of his Piracy is Liberation. War mania in a future where Capitalism is the only religion.
www.elftorp.com

See you there!

Call for submissions – CBA vol 62: Fingers and Teeth

Call for submissions for:
CBA vol 62: Fingers and teeth
Main editor: Caroline Ulvros/Leviathan
Deadline: October 1

Few non-genital body parts are the object of nightmares and obsessions as much as fingers and teeth. Focusing on single body parts might seem hard when telling a story, or evoking feelings in art. Not regarding fingers and teeth. We all have some story connected to them. The human touch and the animal bite, desirable or dangerous. In this issue, we zoom in on the most bodily representations of anxiety and vulnerability. How do they loom in the dark right before you wake up? What do you wish others would do with theirs? Give us all your hidden fantasies of these body lumps that you’ve spent more time thinking of than you admit. Only then will we know if these fantasies are common to all, or if comics just might be the most awesome form of therapy.


—SUBMISSION GUIDELINES—
Please read and follow these guidelines:
Number of pages: We prefer comics that are about 5-30 pages, but any number is welcome.
Format: 20 x 26 cm
Color: Color / Black and white
Language: English
File format: .TIF
Resolution: 1200 dpi line art or 300 dpi CMYK
Length (texts): A good size for a text is ca 7500 characters (including spaces), but it can also be longer or shorter.
Bleed: 5mm. Think you know how to handle bleed? Read this to make sure you know what we mean.
Within this space, there are no limits.

Delivery: We prefer download links that do NOT require us to login anywhere (wetransfer usually works fine, for example).
Request: Please don’t use Comic Sans. We don’t like it and will ask you to change to another font.
And again; Please check our guidelines for bleed.
Please send us high-resolution files from the start.
Include a short bio*, with one URL (if you have a website or similar).

Please ask us if you are unsure about formats, resolution, bleed, etc. We prefer stupid questions to bad files. And there are no stupid questions!
Normally, we also organize a release exhibition showcasing sample pages from the new issue. Please let us know if you’re NOT ok with us using your works for that purpose. It’s part of our marketing and it usually takes place in a physical exhibition space, although these days we’re more likely to make a digital exhibition online at the Hybriden website.

*Your bio should be in third person and approximately 500-700 characters in length. It should read more as an entertaining and informative bio and less as a CV. What you want to say about yourself is up to you, but it’s generally more interesting for our readers to know about your interests, who you are and what else you’ve published rather than where you’ve studied. We may edit it if needed to fit our format.
Send comics, questions, etc to: submissions(a)cbkcomics(.)com


Unfortunately we cannot guarantee you any payment for participating (although these last few years we’ve had more financing so we have been able to pay at least something, i.e. when all the expenses have been paid we will share the surplus of the financial support we receive for CBA amongst the participants). If we publish your submission you will receive 10 free copies of the issue. That’s all we can promise at this date. Hopefully you will find being in CBA an enjoyable experience. Naturally, copyright for your material will stay in your hands.

Also note that we are constantly overworked and there’s a great risk that we won’t get in touch in case your submission doesn’t make it into the current volume (we WILL, however, let you know if we do publish your submission, and if you don’t get into this one we might keep your comic for a future issue). We are sorry for this and will try to catch up as soon as things clear up (optimistically in 2025)…


Feel free to share this call for submissions to any comics creator you think would be interested!

Facebook event

 

Out now: CBA vol 60

CBA vol 60: Stories just came from the printer!

This volume of CBA has no theme, it’s just stories:

Stories are a way to escape reality, but also a way to communicate and to help us understand the world around us. These are stories on different subjects, told with different voices in different ways by 13 creators from 7 countries.

Comics by: Leviathan [SE], Oasis of Hate [PL], Daniela Filippin [IT], Eugenio Belgrado [IT], Hroge Cancelhaus [UK], Ivana Geček [HR], Joseph Hughes [US] & João Fraga Netto [US], Oskar Aspman [SE], Tom Mortimer [UK], Korin(a) Hunjak [HR], Marcel Ruijters [NL].
Cover, text, illustrations & main editor: Mattias Elftorp [SE].

96 pages of international comics!

Get it from the Hybriden webshop!

This is also a good time to start a subscription.

Call for submissions – CBA vol 61: Liminal Space

Call for submissions for:
CBA vol 61: Liminal Space
Main editor: Oskar Aspman
Deadline: June 15

Liminal space, a concept that deconstructs the notion of fixed boundaries and absolute realities. It is a space that challenges the dualities of self and other, inside and outside, past and future.
A bridge to cross, a door to open.
A place to question and transcend

Liminality has always been a part of humanity. Maybe not as a state of transition but rather as a state of constant becoming. It is a space that disrupts the linearity of time and questions the stability of identity. That area of blurred boundaries is very much an integral part of the creative process for us as humans and artists.
A realm of ambiguity.
A pause in time, a shift in state.
A realm of potentiality.
Where form and meaning await

Here (or in there) we can push the boundaries of the unexpected. With comics, the idea of the liminal space can be used to craft stories and narratives that exist between different realms of reality.

To volume 61 of CBA we invite artists, to create and interpret Liminal Spaces and to engage with and contemplate their own experiences of blurred boundaries and change. A journey to the unknown into a space that invites us to question the very foundations of our understanding of the world and ourselves, and to embrace the multiplicity and fluidity of our existence.


—SUBMISSION GUIDELINES—
Please read and follow these guidelines:
Number of pages: We prefer comics that are about 5-30 pages, but any number is welcome.
Format: 20 x 26 cm
Color: Color / Black and white
Language: English
File format: .TIF
Resolution: 1200 dpi line art or 300 dpi CMYK
Length (texts): A good size for a text is ca 7500 characters (including spaces), but it can also be longer or shorter.
Bleed: 5mm. Think you know how to handle bleed? Read this to make sure you know what we mean.
Within this space, there are no limits.

Delivery: We prefer download links that do NOT require us to login anywhere (wetransfer usually works fine, for example).
Request: Please don’t use Comic Sans. We don’t like it and will ask you to change to another font.
And again; Please check our guidelines for bleed.
Please send us high-resolution files from the start.
Include a short bio*, with one URL (if you have a website or similar).

Please ask us if you are unsure about formats, resolution, bleed, etc. We prefer stupid questions to bad files. And there are no stupid questions!
Normally, we also organize a release exhibition showcasing sample pages from the new issue. Please let us know if you’re NOT ok with us using your works for that purpose. It’s part of our marketing and it usually takes place in a physical exhibition space, although these days we’re more likely to make a digital exhibition online at the Hybriden website.

*Your bio should be approximately 500-700 characters in length. It should read more as an entertaining and informative bio and less as a CV. What you want to say about yourself is up to you, but it’s generally more interesting for our readers to know about your interests, who you are and what else you’ve published rather than where you’ve studied. We may edit it if needed to fit our format.
Send comics, questions, etc to: submissions(a)cbkcomics(.)com


Unfortunately we cannot guarantee you any payment for participating (although these last few years we’ve had more financing so we have been able to pay at least something, i.e. when all the expenses have been paid we will share the surplus of the financial support we receive for CBA amongst the participants). If we publish your submission you will receive 10 free copies of the issue. That’s all we can promise at this date. Hopefully you will find being in CBA an enjoyable experience. Naturally, copyright for your material will stay in your hands.

Also note that we are constantly overworked and there’s a great risk that we won’t get in touch in case your submission doesn’t make it into the current volume (we WILL, however, let you know if we do publish your submission, and if you don’t get into this one we might keep your comic for a future issue). We are sorry for this and will try to catch up as soon as things clear up (optimistically in 2025)…


Feel free to share this call for submissions to any comics creator you think would be interested!

Facebook event

PAPER ECHOES exhibition

CBK presents:
PAPER ECHOES

Where: Ateljé XX (Industrigatan 20B – entrance from the yard, Malmö)
When: March 4 (one day only) 15-22 (fika until 18, then wine)

During the fall of 2022, we invited a group of comic creators to join a number of workshops, where we took turns to introduce each other to new techniques or ways of making art and/or comics.

This exhibition is the result. From gelli printing to painting with razor blades to a non-chronological jam comic, we’ll be showing the best results of these workshops.

ARTISTS: Eileen Laurie, Saskia Gullstrand, Oskar Aspman, Caroline Ulvros, Henrik Rogowski, Kinga Dukaj, Mattias Elftorp

Facebook event

 

This project has support from Malmö Kulturnämnd.


CBK presenterar:
PAPER ECHOES

Var: Ateljé XX (Industrigatan 20B – ingång från gården, Malmö)
När: 4 mars (endast en dag) kl 15-22 (fika till kl 18, efter det tar vi fram vernissagevinet)

Under hösten 2022 bjöd vi in en grupp serieskapare för att vara med i ett antal workshops där vi turades om att introducera varandra för nya tekniker och sätt att göra serier och/eller konst.

I denna utställning visar vi resultatet av dessa workshops, från gelliprints till att måla med rakblad till en icke-kronologisk stafettserie.

KONSTNÄRER: Eileen Laurie, Saskia Gullstrand, Oskar Aspman, Caroline Ulvros, Henrik Rogowski, Kinga Dukaj, Mattias Elftorp

Facebook event

Detta projekt genomförs med stöd av Malmö Kulturnämnd.


PHOTOS from the exhibition opening

Oskar Aspman

Saskia Gullstrand

Caroline Ulvros (Leviathan)

Eileen Laurie

Henrik Rogowski

Henrik Rogowski

Henrik Rogowski

Non-linear jam comic by Oskar Aspman, Caroline Ulvros, Henrik Rogowski, Mattias Elftorp

Kinga Dukaj

Mattias Elftorp

 

PHOTOS from the workshops

 

 

RELEASE EVENT: Piracy is Liberation 012 & Vårdfällan

CBK presents, with Wormgod and Tusen Serier:
Piracy is Liberation 012: Outer Enemy & Vårdfällan, double book release with exhibition and book talks!

Where: Poeten på hörnet (Södra Förstadsgatan 65B, Malmö)
When: One-day event on February 25 at 18-21 (or whenever we’re finished)


This is the release event for 2 new books from CBK/Wormgod and Tusen Serier: Mattias Elftorp’s Piracy is Liberation 012: Outer Enemy and Raquel Lozano’s debut novel Vårdfällan. You can read about both books here.

There will be a small exhibition of prints from Piracy is Liberation. There will be wine. The books will be presented, with a reading from Vårdfällan. The books will be there, the authors will be signing, it’ll be great!
Welcome!

Both books are available for order now, from Hybriden and other places (Adlibris, Bokus, etc).

ORDER Piracy is Liberation 012: Outer Enemy (email us about review copies!)
ORDER Vårdfällan (email us about review copies!)


It’s getting harder and harder to be visible in social media, so feel free to help us by inviting anyone you know who might be interested! Thanks!

 

PRE-RELEASE: Piracy is Liberation 012 & Vårdfällan

PRE-RELEASE of 2 new books from Tusen Serier and CBK/Wormgod! These books are only available at Hybriden until Jan 1, 2023. After that they will be taken down from the site until the official release in early 2023 (Jan/Feb)!!!
So take this chance to be among the first to get Vårdfällan (Raquel Lozano) and Piracy is Liberation 012: Outer Enemy (Mattias Elftorp)!

Piracy is Liberation 012: Outer Enemy by Mattias Elftorp

Terror strikes the City, and Pirate seems to be the terrorist! Or is this finally the start of the revolution? As the City is gearing up for war, two girls walk its streets looking for action and trying to figure out what actually happened. How will our anarchist heroes deal with this situation as the equivalent to nationalist tendencies grip the population? What happens in a City where war has been an unknown concept, as its billboards are filling up with WANTED posters and military propaganda and the army recruitment centers are opening up for business? Who is the enemy?

10 year in the making, this 12th book in the Piracy is Liberation series finally takes us back to the City for 212 pages of a brand new story about a society on the brink of war.

Language: English
Page count: 212
Book type: graphic novel, softcover
Price: 150:- sek
ORDER (email us about review copies!)


Vårdfällan by Raquel Lozano

Alejandra vill egentligen wallraffa, men efter en tids uppehåll är hon nu tillbaka som vårdbiträde inom hemtjänsten. För att klara av sin vardag med duschar, blöjbyten och läggningar varvar hon jobbet med en ny hobby, även om den kanske inte är helt laglig.

Vårdfällan is Raquel Lozano’s debut novel. With Malmö as backdrop, she depicts the life of a young worker, and her struggle to survive an increasingly cold work climate.

Language: Swedish
Page count: 176
Book type: novel, pocket/softcover
Price: 100:- sek
ORDER (email us about review copies!)


Also new in the webshop:

CBA vol 58: Modern Glossolalia or the Erosion of Meaning and CBA vol 59: Aloneliness, the latest issues of our international comics anthology! And from Tusen Serier:

Mapuche by Jorge Varas Varilla is now available in a new, quadrilingual edition (Mapudungun/Spanish, with subtitles in English/Swedish).

Five Stories About Undocumented Women by Amalia Alvarez has been hard to find for a while, but is now here in a 3rd edition, with new paper stock and still in 3 languages (Spanish/Swedish/English).