Piracy013 RELEASE event & exhibition

When: June 14 at 18-21 (the exhibition lasts until Jun 28)
Where: Rum för Serier (Friisgatan 12, Malmö)
What: Book release with comics exhibition
Opening hours:
Thursday (Jun 20): 17-20
Tuesday (Jun 25): 17-20
Thursday (Jun 27): 17-20

Piracy is Liberation 013: Missile Crisis is the latest part of Mattias Elftorp’s cyberpunk postapocalypse epic.

 

The City is firing sentient smart-missiles against terrorists hiding in the previously unknown desert. But who is this outer enemy?
Using metamagic, Purple learns how to fly and takes Information and Erica on an expedition to find out, but the truth comes with unexpected dangers.
Piracy is Liberation is a mix of classic cyberpunk elements in a dystopian future with a glimmer of postapocalyptic hope and a pinch of metamagic.

The story, which started in book 012, is a comment on the increasingly war-hungry media climate. It takes place far into the future, in a city where Capitalism is the only remaining religion, where the people don’t know that anything exists outside the City (until now) or that things have ever been different.

We invite you to an exhibition with material from the book along with some more stuff, new and old.
Haven’t read the earlier books in the series? Don’t worry, they’ll all be available at a special price.
Come and hang out, look at the pretty pictures, buy the pretty book and have some wine, it’ll be great!
We’ll keep going until 21 unless we decide to stay longer…


The exhibition is presented by Wormgod & CBK in cooperation with the Swedish Comics Association.

Feel free to share and invite people to the Facebook event.

Extended deadline – CBA vol 64: Kolaż

We’ve decided to extend the deadline for CBA vol 64: Kolaż to May 31!

You can find all the submission guidelines for this issue here.

THEME:

Kolaż (Polish for collage) is an art where you weave existing images into new narratives. Dive deep into various techniques and tech. We want your unlimited comic fusions!

Explore the art of collage with us in blends of found images with drawings and digital manipulations, dissections and reassemblies, insertions and rearrangements. Share your stories, your subversions and discoveries of meaning through combinations and reinterpretations. Create new comics or cut up your old ones, make new life out of previous stories.

Be inspired by pioneers like Mary Shelley’s Victor F, Hannah Höch, Romare Bearden, Dave McKean and many more, whose unique approaches reshape artistic boundaries.

Join us to celebrate this remarkable art form in CBA vol 64: Kolaż (polish for Collage) where innovation and imagination breathe life into fragments, woven through the magic of artistic amalgamation.

Is collage your passion and you want to write an article about it? Great! A good size for a text is ca 7500 characters (including spaces), but it can also be longer or shorter.

***Disclaimer***
Copyrighted material:
Be mindful of the images you use to create your collage. In general, using copyrighted images in your collage without permission could potentially constitute copyright infringement.e
AI:
If you use AI art it has to be clearly stated that it is AI, what AI platform it is made at and what words and/or base images you used to create the comic. We want to discourage the use of AI and you will not receive any payment for AI- images.
***

 

Available NOW: Piracy is Liberation 013 & CBA vol 62|63

Two new books are coming soon, but you can order them already from Hybriden! Approximate release date will be April 20.

Both books and much more will be available at the Stockholm International Comics Festival, May 25-26!

Piracy is Liberation 013: Missile Crisis

The City is firing sentient smart-missiles against terrorists hiding in the previously unknown desert. But who is this outer enemy?
Using metamagic, Purple learns how to fly and takes Information and Erica on an expedition to find out, but the truth comes with unexpected dangers.

Weighing in at 236 pages, this book continues the story started in Piracy is Liberation 012: Outer Enemy.
Published by CBK in cooperation with Wormgod, Piracy is Liberation is political theory, filtered through autobiography, masked as fiction in the form of cyberpunk postapocalypse.

Story art and design by Mattias Elftorp, cover by Susanne Johansson, illustration & editorial assistance by Kinga Dukaj.

 

 

 

 

 

 

 

 

CBA vol 62|63: Liminal Space

Liminal space, a concept that deconstructs the notion of fixed boundaries and absolute realities. It is a space that challenges the dualities of self and other, inside and outside, past and future. A bridge to cross, a door to open. A place to question and transcend.

Liminality has always been a part of humanity. Maybe not as a state of transition but rather as a state of constant becoming. It is a space that disrupts the linearity of time and questions the stability of identity. That area of blurred boundaries is very much an integral part of the creative process for us as humans and artists.
A realm of ambiguity. A pause in time, a shift in state. A realm of potentiality. Where form and meaning await.

Here (or in there) we can push the boundaries of the unexpected. With comics, the idea of the liminal space can be used to craft stories and narratives that exist between different realms of reality.

Comics by: Svalan Sörblom [SE], Anamarija Kvas [HR], Tom Mortimer [UK], Miku Maria Gustavsson [SE], Edmund Mortimer [UK], Aiden Kvarnström [SE], Saskia Gullstrand [SE], Kekube [PL], Tomxyz & fishboneseater [PL], Adam Kołodziejski [PL], Mattias Elftorp [SE], Damir Stojnic-Ktonsky [RS], Zlatko Krstevski [MK], Oskar Aspman [SE].
Cover, text, illustrations & main editor: Oskar Aspman [SE].

168 pages of international comics in this double issue!

Get it from the Hybriden webshop!

This is also a good time to start a subscription.

Call for submissions – CBA vol 65: THE BOX

Call for submissions for:
CBA vol 65: THE BOX
Main editor: Mattias Elftorp
Deadline: July 10

What’s in The Box? Who wants to know? How big is it? Where is it? Is it on its way somewhere? Why does it matter? Why can’t you know what’s in it? Or do you know?

Fill this issue of CBA with stories of The Box, as if the issue was a box needing to be filled. And don’t forget to think outside the box!

Also don’t miss our other current call for submissions: CBA vol 64: Kolaż

—SUBMISSION GUIDELINES—
Please read and follow these guidelines:
Number of pages: We prefer comics that are about 5-30 pages, but any number is welcome.
Format: 20 x 26 cm
Color: Color / Black and white
Language: English
File format: .TIF
Resolution: 1200 dpi line art or 300 dpi CMYK
Length (texts): A good size for a text is ca 7500 characters (including spaces), but it can also be longer or shorter.
Bleed: 5mm. Think you know how to handle bleed? Read this to make sure you know what we mean.
Within this space, there are no limits.

Delivery: We prefer download links that do NOT require us to login anywhere (wetransfer usually works fine, for example).
Request: Please don’t use Comic Sans. We don’t like it and will ask you to change to another font.
And again; Please check our guidelines for bleed.
Please send us high-resolution files from the start.
Include a short bio*, with one URL (if you have a website or similar).

Please ask us if you are unsure about formats, resolution, bleed, etc. We prefer stupid questions to bad files. And there are no stupid questions!
Normally, we also organize a release exhibition showcasing sample pages from the new issue. Please let us know if you’re NOT ok with us using your works for that purpose. It’s part of our marketing and it usually takes place in a physical exhibition space, although these days we’re more likely to make a digital exhibition online at the Hybriden website.

*Your bio should be approximately 500-700 characters in length. It should read more as an entertaining and informative bio and less as a CV. What you want to say about yourself is up to you, but it’s generally more interesting for our readers to know about your interests, who you are and what else you’ve published rather than where you’ve studied. We may edit it if needed to fit our format.
Send comics, questions, etc to: submissions(a)cbkcomics(.)com

Unfortunately we cannot guarantee you any payment for participating (although these last few years we’ve had more financing so we have been able to pay at least something, i.e. when all the expenses have been paid we will share the surplus of the financial support we receive for CBA amongst the participants). If we publish your submission you will receive 10 free copies of the issue. That’s all we can promise at this date. Hopefully you will find being in CBA an enjoyable experience. Naturally, copyright for your material will stay in your hands.

Also note that we are constantly overworked and there’s a great risk that we won’t get in touch in case your submission doesn’t make it into the current volume (we WILL, however, let you know if we do publish your submission, and if you don’t get into this one we might keep your comic for a future issue). We are sorry for this and will try to catch up as soon as things clear up (optimistically in 2026)…

Feel free to share this call for submissions and/or the Facebook event to any comics creator you think would be interested!

Call for submissions – CBA vol 64: Kolaż

Call for submissions for:
CBA vol 64: Kolaż
Main editor: Kinga Dukaj
Deadline: May 12 Edit: May 31

Kolaż (Polish for collage) is an art where you weave existing images into new narratives. Dive deep into various techniques and tech. We want your unlimited comic fusions!

***Disclaimer***
Copyrighted material:
Be mindful of the images you use to create your collage. In general, using copyrighted images in your collage without permission could potentially constitute copyright infringement.e
AI:
If you use AI art it has to be clearly stated that it is AI, what AI platform it is made at and what words and/or base images you used to create the comic. We want to discourage the use of AI and you will not receive any payment for AI- images.
***

Explore the art of collage with us in blends of found images with drawings and digital manipulations, dissections and reassemblies, insertions and rearrangements. Share your stories, your subversions and discoveries of meaning through combinations and reinterpretations. Create new comics or cut up your old ones, make new life out of previous stories.

Be inspired by pioneers like Mary Shelley’s Victor F, Hannah Höch, Romare Bearden, Dave McKean and many more, whose unique approaches reshape artistic boundaries.

Join us to celebrate this remarkable art form in CBA vol 64: Kolaż (polish for Collage) where innovation and imagination breathe life into fragments, woven through the magic of artistic amalgamation.

Is collage your passion and you want to write an article about it? Great! A good size for a text is ca 7500 characters (including spaces), but it can also be longer or shorter.

Also don’t miss our other current call for submissions: CBA vol 65: THE BOX


—SUBMISSION GUIDELINES—
Please read and follow these guidelines:
Number of pages: We prefer comics that are about 5-30 pages, but any number is welcome.
Format: 20 x 26 cm
Color: Color / Black and white
Language: English
File format: .TIF
Resolution: 1200 dpi line art or 300 dpi CMYK
Length (texts): A good size for a text is ca 7500 characters (including spaces), but it can also be longer or shorter.
Bleed: 5mm. Think you know how to handle bleed? Read this to make sure you know what we mean.
Within this space, there are no limits.

Delivery: We prefer download links that do NOT require us to login anywhere (wetransfer usually works fine, for example).
Request: Please don’t use Comic Sans. We don’t like it and will ask you to change to another font.
And again; Please check our guidelines for bleed.
Please send us high-resolution files from the start.
Include a short bio*, with one URL (if you have a website or similar).

Please ask us if you are unsure about formats, resolution, bleed, etc. We prefer stupid questions to bad files. And there are no stupid questions!
Normally, we also organize a release exhibition showcasing sample pages from the new issue. Please let us know if you’re NOT ok with us using your works for that purpose. It’s part of our marketing and it usually takes place in a physical exhibition space, although these days we’re more likely to make a digital exhibition online at the Hybriden website.

*Your bio should be approximately 500-700 characters in length. It should read more as an entertaining and informative bio and less as a CV. What you want to say about yourself is up to you, but it’s generally more interesting for our readers to know about your interests, who you are and what else you’ve published rather than where you’ve studied. We may edit it if needed to fit our format.
Send comics, questions, etc to: submissions(a)cbkcomics(.)com

Unfortunately we cannot guarantee you any payment for participating (although these last few years we’ve had more financing so we have been able to pay at least something, i.e. when all the expenses have been paid we will share the surplus of the financial support we receive for CBA amongst the participants). If we publish your submission you will receive 10 free copies of the issue. That’s all we can promise at this date. Hopefully you will find being in CBA an enjoyable experience. Naturally, copyright for your material will stay in your hands.

Also note that we are constantly overworked and there’s a great risk that we won’t get in touch in case your submission doesn’t make it into the current volume (we WILL, however, let you know if we do publish your submission, and if you don’t get into this one we might keep your comic for a future issue). We are sorry for this and will try to catch up as soon as things clear up (optimistically in 2025)…

Feel free to share this call for submissions and/or the Facebook event to any comics creator you think would be interested!

Available now: CBA vol 61

CBA vol 61: Fingers & Teeth is out!

Few non-genital body parts are the object of nightmares and obsessions as much as fingers and teeth. Focusing on single body parts might seem hard when telling a story, or evoking feelings in art, but not regarding fingers and teeth. We all have some story connected to them. The human touch and the animal bite, desirable or dangerous. In this issue, we zoom in on the most bodily representations of anxiety and vulnerability.

Comics by: Jean-Jaques Tachdjian [FR], Patrick McEvoy [US] & Andrea Montano [US], Aiden Kvarström [SE], Tom Mortimer [UK], Mattias Elftorp [SE], Leviathan [SE], Damir Stonjić von Ktonsky [HR], Korina Hunjak [HR], Susanne Johansson [SE].
Cover, text & main editor: Caroline Ulvros [SE].

92 pages of international comics!

Get it from the Hybriden webshop!

This is also a good time to start a subscription.

Seriefest 2023!

This weekend (Sep 2-3) it’s Seriefest in Malmö (in Ridhuset, Folkts Park).

We’ll be there with a selection of books, along with Tusen Serier/Wormgod/Hybriden (the policy is to only sell things made by creators who is present. Luckily, Mattias Elftorp will be there and he’s been involved in lots of books)…

There will also be 2 Hybriden-related items in the program:

Tusen Serier: Jorge Varas Varilla
(Saturday 1630-1650)
Jorge Varas Varilla from Tusen Serier talks about his career as a satire illustrator and how graphic humor was used as a tool for wishing for social change in the 1960s Chile. He tells about Allende’s government, about the military coup and also about his own arrest and exile.
www.varilla.se

CBK/Wormgod: Mattias Elftorp
(Sunday 1300-1320)
Talk with Mattias Elftorp about the international comics anthology CBA and about the cyberpunk postapocalypse of his Piracy is Liberation. War mania in a future where Capitalism is the only religion.
www.elftorp.com

See you there!

Call for submissions – CBA vol 62: Fingers and Teeth

Call for submissions for:
CBA vol 62: Fingers and teeth
Main editor: Caroline Ulvros/Leviathan
Deadline: October 1

Few non-genital body parts are the object of nightmares and obsessions as much as fingers and teeth. Focusing on single body parts might seem hard when telling a story, or evoking feelings in art. Not regarding fingers and teeth. We all have some story connected to them. The human touch and the animal bite, desirable or dangerous. In this issue, we zoom in on the most bodily representations of anxiety and vulnerability. How do they loom in the dark right before you wake up? What do you wish others would do with theirs? Give us all your hidden fantasies of these body lumps that you’ve spent more time thinking of than you admit. Only then will we know if these fantasies are common to all, or if comics just might be the most awesome form of therapy.


—SUBMISSION GUIDELINES—
Please read and follow these guidelines:
Number of pages: We prefer comics that are about 5-30 pages, but any number is welcome.
Format: 20 x 26 cm
Color: Color / Black and white
Language: English
File format: .TIF
Resolution: 1200 dpi line art or 300 dpi CMYK
Length (texts): A good size for a text is ca 7500 characters (including spaces), but it can also be longer or shorter.
Bleed: 5mm. Think you know how to handle bleed? Read this to make sure you know what we mean.
Within this space, there are no limits.

Delivery: We prefer download links that do NOT require us to login anywhere (wetransfer usually works fine, for example).
Request: Please don’t use Comic Sans. We don’t like it and will ask you to change to another font.
And again; Please check our guidelines for bleed.
Please send us high-resolution files from the start.
Include a short bio*, with one URL (if you have a website or similar).

Please ask us if you are unsure about formats, resolution, bleed, etc. We prefer stupid questions to bad files. And there are no stupid questions!
Normally, we also organize a release exhibition showcasing sample pages from the new issue. Please let us know if you’re NOT ok with us using your works for that purpose. It’s part of our marketing and it usually takes place in a physical exhibition space, although these days we’re more likely to make a digital exhibition online at the Hybriden website.

*Your bio should be in third person and approximately 500-700 characters in length. It should read more as an entertaining and informative bio and less as a CV. What you want to say about yourself is up to you, but it’s generally more interesting for our readers to know about your interests, who you are and what else you’ve published rather than where you’ve studied. We may edit it if needed to fit our format.
Send comics, questions, etc to: submissions(a)cbkcomics(.)com


Unfortunately we cannot guarantee you any payment for participating (although these last few years we’ve had more financing so we have been able to pay at least something, i.e. when all the expenses have been paid we will share the surplus of the financial support we receive for CBA amongst the participants). If we publish your submission you will receive 10 free copies of the issue. That’s all we can promise at this date. Hopefully you will find being in CBA an enjoyable experience. Naturally, copyright for your material will stay in your hands.

Also note that we are constantly overworked and there’s a great risk that we won’t get in touch in case your submission doesn’t make it into the current volume (we WILL, however, let you know if we do publish your submission, and if you don’t get into this one we might keep your comic for a future issue). We are sorry for this and will try to catch up as soon as things clear up (optimistically in 2025)…


Feel free to share this call for submissions to any comics creator you think would be interested!

Facebook event

 

Out now: CBA vol 60

CBA vol 60: Stories just came from the printer!

This volume of CBA has no theme, it’s just stories:

Stories are a way to escape reality, but also a way to communicate and to help us understand the world around us. These are stories on different subjects, told with different voices in different ways by 13 creators from 7 countries.

Comics by: Leviathan [SE], Oasis of Hate [PL], Daniela Filippin [IT], Eugenio Belgrado [IT], Hroge Cancelhaus [UK], Ivana Geček [HR], Joseph Hughes [US] & João Fraga Netto [US], Oskar Aspman [SE], Tom Mortimer [UK], Korina Hunjak [HR], Marcel Ruijters [NL].
Cover, text, illustrations & main editor: Mattias Elftorp [SE].

96 pages of international comics!

Get it from the Hybriden webshop!

This is also a good time to start a subscription.

Call for submissions – CBA vol 61: Liminal Space

Call for submissions for:
CBA vol 61: Liminal Space
Main editor: Oskar Aspman
Deadline: June 15

Liminal space, a concept that deconstructs the notion of fixed boundaries and absolute realities. It is a space that challenges the dualities of self and other, inside and outside, past and future.
A bridge to cross, a door to open.
A place to question and transcend

Liminality has always been a part of humanity. Maybe not as a state of transition but rather as a state of constant becoming. It is a space that disrupts the linearity of time and questions the stability of identity. That area of blurred boundaries is very much an integral part of the creative process for us as humans and artists.
A realm of ambiguity.
A pause in time, a shift in state.
A realm of potentiality.
Where form and meaning await

Here (or in there) we can push the boundaries of the unexpected. With comics, the idea of the liminal space can be used to craft stories and narratives that exist between different realms of reality.

To volume 61 of CBA we invite artists, to create and interpret Liminal Spaces and to engage with and contemplate their own experiences of blurred boundaries and change. A journey to the unknown into a space that invites us to question the very foundations of our understanding of the world and ourselves, and to embrace the multiplicity and fluidity of our existence.


—SUBMISSION GUIDELINES—
Please read and follow these guidelines:
Number of pages: We prefer comics that are about 5-30 pages, but any number is welcome.
Format: 20 x 26 cm
Color: Color / Black and white
Language: English
File format: .TIF
Resolution: 1200 dpi line art or 300 dpi CMYK
Length (texts): A good size for a text is ca 7500 characters (including spaces), but it can also be longer or shorter.
Bleed: 5mm. Think you know how to handle bleed? Read this to make sure you know what we mean.
Within this space, there are no limits.

Delivery: We prefer download links that do NOT require us to login anywhere (wetransfer usually works fine, for example).
Request: Please don’t use Comic Sans. We don’t like it and will ask you to change to another font.
And again; Please check our guidelines for bleed.
Please send us high-resolution files from the start.
Include a short bio*, with one URL (if you have a website or similar).

Please ask us if you are unsure about formats, resolution, bleed, etc. We prefer stupid questions to bad files. And there are no stupid questions!
Normally, we also organize a release exhibition showcasing sample pages from the new issue. Please let us know if you’re NOT ok with us using your works for that purpose. It’s part of our marketing and it usually takes place in a physical exhibition space, although these days we’re more likely to make a digital exhibition online at the Hybriden website.

*Your bio should be approximately 500-700 characters in length. It should read more as an entertaining and informative bio and less as a CV. What you want to say about yourself is up to you, but it’s generally more interesting for our readers to know about your interests, who you are and what else you’ve published rather than where you’ve studied. We may edit it if needed to fit our format.
Send comics, questions, etc to: submissions(a)cbkcomics(.)com


Unfortunately we cannot guarantee you any payment for participating (although these last few years we’ve had more financing so we have been able to pay at least something, i.e. when all the expenses have been paid we will share the surplus of the financial support we receive for CBA amongst the participants). If we publish your submission you will receive 10 free copies of the issue. That’s all we can promise at this date. Hopefully you will find being in CBA an enjoyable experience. Naturally, copyright for your material will stay in your hands.

Also note that we are constantly overworked and there’s a great risk that we won’t get in touch in case your submission doesn’t make it into the current volume (we WILL, however, let you know if we do publish your submission, and if you don’t get into this one we might keep your comic for a future issue). We are sorry for this and will try to catch up as soon as things clear up (optimistically in 2025)…


Feel free to share this call for submissions to any comics creator you think would be interested!

Facebook event